Polly Paulusma will be releasing a new album in late spring 2020 entitled Invisible music – folk songs that influenced Angela Carter.
My first week creating special online content for Patreon patrons has been fabulous!
My first Friday Video discussed the final assembly of that week’s Pivot song release, ‘Boards At The Window’, working with Astrid Williamson and James Hawkins to create the month’s track.
My first monthly Sunday gig was broadcast live from the shed and a friendly gang of patrons assembled to listen, make requests, and enjoy a Sunday evening in the company of like minded souls. It was a joy.
If you want to join in, become my Patron: www.patreon.com/pollypaulusma
My great friend Annie Dressner and I are doing an 8 day UK tour 22-29 February. Many tickets have already gone… so please buy them while you can and come say hello to us! All ticket links below…
22 FEBRUARY/ NEWCASTLE/ Cluny 2
23 FEBRUARY/ DURHAM / Old Cinema Launderette
24 FEBRUARY/ MANCHESTER / The Castle Hotel
25 FEBRUARY/ BIRMINGHAM / Kitchen Garden Cafe
26 FEBRUARY/ LONDON / Green Note
27 FEBRUARY/ SHEFFIELD / Cafe 9
28 FEBRUARY/ BRISTOL / Folk House
29 FEBRUARY/ WINCHESTER / Railway Inn
Will you join other fans and become a patron?
I have started a Patreon page (patreon.com/pollypaulusma) where, from January 2020, I will be posting a weekly video diary and streaming a monthly live gig for patrons, content not available to view anywhere else.
What is Patreon?
Patreon is an online platform which enables people to offer continued support to their favourite artists and creators for a small monthly contribution (typically $5), in return for content not available anywhere else. If enough people put a few pennies or cents in the hat each month, their collective power enables an artist to devote their life to their art.
How do I become a patron?
Visit my Patreon page (patreon.com/pollypaulusma), and click the orange button ‘Become a patron’ to sign up. In return, you’ll get access to a weekly video diary charting my creative life, a live-streaming monthly gig from my shed, and, if you’re not already subscribed, a new song a month as part of the ‘Pivot’ slow album project.
I’m back out on the road in February 2020! WOOHOOO! I’m performing a co-headline show with my dear friend and collaborator Annie Dressner. She’ll play a set of some of her songs, and then I’ll play a set of some of mine.
Sat 22 Feb – Newcastle – Cluny 2 – tickets
Sun 23 Feb – Durham – Old Cinema Launderette – tickets
Mon 24 Feb – Manchester – The Castle – tickets
Tue 25 Feb – Birmingham – Kitchen Garden Cafe – tickets
Wed 26 Feb – London – Green Note – tickets
Thur 27 Feb – Sheffield – Cafe 9 – tickets
Fri 28 Feb – Bristol – Bristol Folk Club – tickets
Sat 29 Feb – Winchester – Railway Inn – tickets
I have missed playing live so much, in particular playing live night after night, which to my mind is the best way to do it.
I’m playing four songs at 1.40pm on Sunday 5 Aug 2018 in the Club Tent at Cambridge Folk Festival – come and say hi!
I have just been asked to play a set at the Cambridge Folk Festival. Last time I was there was 2012 (see photo) — now I’m working on a trad folk album it seems like the perfect place to be playing this summer. I’ll be in the Club Tent for a 20 minute set at 1.50pm on Sunday, 5 August. For tickets and more information click here.
I’m so excited to be playing with some of my friends on this amazing bill at Ramblin’ Roots Festival in April. Come and join us!
Tickets and more info here.
On International Women’s Day, I will be taking to the small stage at the beautiful Bloomsbury Theatre in central London (very close to the British Library) with my sister-in-song Edwina Hayes (www.edwinahayes.co.uk) to sing old songs and new, laugh a lot, and possibly cry a bit too — probably with laughter, knowing Edwina. I do hope you can join us….
Tickets and more information are available here.
On Monday this week, I found myself in Bristol to sing two traditional folksongs – ‘Reynardine’ and ‘The Flower of Sweet Strabane’, and to spend time with Chris Molan and a beautiful group of folksong-loving people as part of a BBC2 documentary on Angela Carter.
The production team had caught wind of my research on Carter’s influence from singing folksongs, and so I was interviewed about my ongoing work but also sang a couple of songs for them. It was a wonderful if terrifying experience, but it’s encouraged me to get on and make that trad folk EP I’ve been cogitating on for three years, since my EFDSS bursary in 2015.
The film will be broadcast on BBC2 sometime later in the year; I’ll keep you posted on a TX date when I have it.