First Friday video and first live streamed gig for Patrons

My first week creating special online content for Patreon patrons has been fabulous!

My first Friday Video discussed the final assembly of that week’s Pivot song release, ‘Boards At The Window’, working with Astrid Williamson and James Hawkins to create the month’s track.

My first monthly Sunday gig was broadcast live from the shed and a friendly gang of patrons assembled to listen, make requests, and enjoy a Sunday evening in the company of like minded souls. It was a joy.

If you want to join in, become my Patron: www.patreon.com/pollypaulusma

On tour February 2020

My great friend Annie Dressner and I are  doing an 8 day UK tour 22-29 February. Many tickets have already gone… so please buy them while you can and come say hello to us! All ticket links below…

22 FEBRUARY/ NEWCASTLE/ Cluny 2
https://www.ticketweb.uk/…/polly-paulusma-annie-dr…/10080985

23 FEBRUARY/ DURHAM / Old Cinema Launderette
https://www.wegottickets.com/event/486540

24 FEBRUARY/ MANCHESTER / The Castle Hotel
https://www.seetickets.com/…/polly…/the-castle-hotel/1461212

25 FEBRUARY/ BIRMINGHAM / Kitchen Garden Cafe
https://www.wegottickets.com/event/487101

26 FEBRUARY/ LONDON / Green Note
https://www.ticketweb.uk/…/polly-paulusma-annie-dr…/10043535

27 FEBRUARY/ SHEFFIELD / Cafe 9
https://www.wegottickets.com/event/486929

28 FEBRUARY/ BRISTOL / Folk House
https://www.seetickets.com/…/pol…/folk-house-bristol/1459821

29 FEBRUARY/ WINCHESTER / Railway Inn
https://www.railwayinn.pub/…/polly-paulusma-and-annie-dres…/

Be a patron

Will you join other fans and become a patron?

I have started a Patreon page (patreon.com/pollypaulusma) where, from January 2020, I will be posting a weekly video diary and streaming a monthly live gig for patrons, content not available to view anywhere else.

What is Patreon?

Patreon is an online platform which enables people to offer continued support to their favourite artists and creators for a small monthly contribution (typically $5), in return for content not available anywhere else. If enough people put a few pennies or cents in the hat each month, their collective power enables an artist to devote their life to their art.

How do I become a patron?

Visit my Patreon page (patreon.com/pollypaulusma), and click the orange button ‘Become a patron’ to sign up. In return, you’ll get access to a weekly video diary charting my creative life, a live-streaming monthly  gig from my shed, and, if you’re not already subscribed, a new song a month as part of the ‘Pivot’ slow album project.

Tour February 2020

I’m back out on the road in February 2020! WOOHOOO! I’m performing a co-headline show with my dear friend and collaborator Annie Dressner. She’ll play a set of some of her songs, and then I’ll play a set of some of mine.

Sat 22 Feb – Newcastle – Cluny 2 – tickets
Sun 23 Feb – Durham – Old Cinema Launderette – tickets
Mon 24 Feb – Manchester – The Castle – tickets
Tue 25 Feb – Birmingham – Kitchen Garden Cafe – tickets
Wed 26 Feb – London – Green Note – tickets
Thur 27 Feb – Sheffield – Cafe 9 – tickets
Fri 28 Feb – Bristol – Bristol Folk Club – tickets
Sat 29 Feb – Winchester – Railway Inn – tickets

I have missed playing live so much, in particular playing live night after night, which to my mind is the best way to do it.

Come!

Cambridge Folk Festival: 5 Aug 2018

I have just been asked to play a set at the Cambridge Folk Festival. Last time I was there was 2012 (see photo) — now I’m working on a trad folk album it seems like the perfect place to be playing this summer. I’ll be in the Club Tent for a 20 minute set at 1.50pm on  Sunday, 5 August. For tickets and more information click here.

London gig: Thur 8 Mar 2018

On International Women’s Day, I will be taking to the small stage at the beautiful Bloomsbury Theatre in central London (very close to the British Library) with my sister-in-song Edwina Hayes (www.edwinahayes.co.uk) to sing old songs and new, laugh a lot, and possibly cry a bit too — probably with laughter, knowing Edwina. I do hope you can join us….

Tickets and more information are available here.

Angela Carter and folksong BBC documentary

On Monday this week, I found myself in Bristol to sing two traditional folksongs – ‘Reynardine’ and ‘The Flower of Sweet Strabane’, and to spend time with Chris Molan and a beautiful group of folksong-loving people as part of a BBC2 documentary on Angela Carter.

The production team had caught wind of my research on Carter’s influence from singing folksongs, and so I was interviewed about my ongoing work but also sang a couple of songs for them. It was a wonderful if terrifying experience, but it’s encouraged me to get on and make that trad folk EP I’ve been cogitating on for three years, since my EFDSS bursary in 2015.

The film will be broadcast on BBC2 sometime later in the year; I’ll keep you posted on a TX date when I have it.

 

 

 

Chester Literary Festival

I’m just back from five AMAZING days in north Wales, holed up in a beautiful cottage in the Snowdonian hills courtesy of the Chester Literary Festival and Storyhouse, with five other creatives — to write, sing, eat, drink, and most importantly, laugh.

We were six: me, Kathryn Williams, David Ford, Salena Godden, Mark Davies Markham and Laura Barnett.

I did burst into tears a couple of times — once when, under the influence, I was sure Salena had moved my chi — and then, to an incredibly sad song about young love and death penned in about 15 minutes by an inspired David Ford. But the rest of it was laughter. And shouting. And rudeness. Foul mouths. Hugs. Food. Wine. Teapot cocktail concoctions. And outpourings of the most intense emotional kind as only we creative nutters can muster.

Here is how I described it to my travelling-home friend Mark Davies Markham as we lost each other at Euston Station.

“So I kept one eye out for you amongst all those rushing hoards
but I didn’t see your black cap nor your toothy grin
so I pulled my collar up and tilted my chin down
and gritted my teeth and braved it out into the
rapids of blacks and greys and leapt into a
black cab, and I now sit on another train
waiting to speed back to the fens,
where I will turn back into a frog-mummy
who secretly goes to her shed every now and again
and turns into a songwriting prince.”

I think it might make a song one day. It was that kind of time, when everything that comes out of your brain is a bit syrupy-golden because of the company you’ve been keeping.