Polly Paulusma will be releasing a new album in late spring 2020 entitled Invisible music – folk songs that influenced Angela Carter.
‘Invisible Music’ is an album of folk songs and spoken word recorded with help from Jack Harris (guitar), Jed Bevington (fiddle) and John Parker (upright bass) and containing readings from singer songwriter Kathryn Williams and novelist Kirsty Logan.
‘Invisible Music’ is a songwriter’s celebration of the musicality of her favourite novelist. Paulusma champions and showcases musicality in the prose of Angela Carter, one of the twentieth century’s finest novelists. She illustrates through sounded examples the recent discoveries she’s made — that Carter was a folk singer during the 1960s folk revival, and that her writing was profoundly influenced by the performing of traditional folk song.
Some of the folk songs that influenced Carter — for example ‘Barbary Allen’, ‘Lucy Wan’, and ‘The Banks of Red Roses’ — are rendered here by Paulusma who, for six years, has been researching the effects of singing folk songs on Carter’s prose style at the University of East Anglia. Prose passages read by Paulusma, the songwriter Kathryn Williams and the novelist Kirsty Logan are interspersed between the songs, illustrating how Carter’s prose absorbed the themes, images and rhythms of folk song.
Paulusma, who teaches Cambridge English students between releasing records, explains, “I have never really seen the difference between great literature and great song. For me, reading is and always has been an audial experience. Some writers are just more musical than others.” Paulusma’s work asks us to reimagine Carter’s prose as performance, to recreate the ‘invisible music’ of Carter’s prose every time we read her, in a dynamic exchange of trust and understanding, a reverberation through space and time, a sympathetic resonance.
Paulusma released her first album, ‘Scissors in my Pocket’ on One Little Indian to widespread international critical acclaim in 2004. Uncut declared, “Never mind all the fuss about Joss Stone and Amy Winehouse. As far as Uncut is concerned, the finest young British female singer-songwriter to emerge in the last 12 months is the brainy Cambridge graduate Polly Paulusma, with a debut album of mature and literate songs brimful of emotional resonance, potent melodies and meltingly heartfelt vocals.” Paulusma was subsequently catapulted round the world, supporting Bob Dylan, Jamie Cullum, Coldplay and Marianne Faithfull, touring the USA and Europe, and playing Glastonbury, T in the Park and Cambridge Folk Festival. ‘Fingers and Thumbs’ followed in 2007, produced by Ken Nelson, and in 2012 founded the Wild Sound folk label and released the work of nine other artists before becoming a folk imprint at One Little Indian in 2016. ‘Invisible Music’ will be Paulusma’s eighth album release.
‘Invisible Music’ will be released on Wild Sound, a folk imprint at One Little Indian Records.
Photo by Annie Dressner of Cambridge Headshot Photography.
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I have started a Patreon page (patreon.com/pollypaulusma) where, from January 2020, I will be posting a weekly video diary and streaming a monthly live gig for patrons, content not available to view anywhere else.
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Visit my Patreon page (patreon.com/pollypaulusma), and click the orange button ‘Become a patron’ to sign up. In return, you’ll get access to a weekly video diary charting my creative life, a live-streaming monthly gig from my shed, and, if you’re not already subscribed, a new song a month as part of the ‘Pivot’ slow album project.
I have just been asked to play a set at the Cambridge Folk Festival. Last time I was there was 2012 (see photo) — now I’m working on a trad folk album it seems like the perfect place to be playing this summer. I’ll be in the Club Tent for a 20 minute set at 1.50pm on Sunday, 5 August. For tickets and more information click here.
On International Women’s Day, I will be taking to the small stage at the beautiful Bloomsbury Theatre in central London (very close to the British Library) with my sister-in-song Edwina Hayes (www.edwinahayes.co.uk) to sing old songs and new, laugh a lot, and possibly cry a bit too — probably with laughter, knowing Edwina. I do hope you can join us….
Tickets and more information are available here.