My new album ‘Invisible Music: folk songs that influenced Angela Carter’ is out in April. The CD copies have just arrived in the office – OLI generously indulged my artwork desires, so the CD is actually really a little book, full of my musings, folk song words, pictures by Christine Molan, and extracts from Carter’s prose.
Polly Paulusma will be releasing a new album in late spring 2020 entitled Invisible music – folk songs that influenced Angela Carter.
‘Invisible Music’ is an album of folk songs and spoken word recorded with help from Jack Harris (guitar), Jed Bevington (fiddle) and John Parker (upright bass) and containing readings from singer songwriter Kathryn Williams and novelist Kirsty Logan.
‘Invisible Music’ is a songwriter’s celebration of the musicality of her favourite novelist. Paulusma champions and showcases musicality in the prose of Angela Carter, one of the twentieth century’s finest novelists. She illustrates through sounded examples the recent discoveries she’s made — that Carter was a folk singer during the 1960s folk revival, and that her writing was profoundly influenced by the performing of traditional folk song.
Some of the folk songs that influenced Carter — for example ‘Barbary Allen’, ‘Lucy Wan’, and ‘The Banks of Red Roses’ — are rendered here by Paulusma who, for six years, has been researching the effects of singing folk songs on Carter’s prose style at the University of East Anglia. Prose passages read by Paulusma, the songwriter Kathryn Williams and the novelist Kirsty Logan are interspersed between the songs, illustrating how Carter’s prose absorbed the themes, images and rhythms of folk song.
Paulusma, who teaches Cambridge English students between releasing records, explains, “I have never really seen the difference between great literature and great song. For me, reading is and always has been an audial experience. Some writers are just more musical than others.” Paulusma’s work asks us to reimagine Carter’s prose as performance, to recreate the ‘invisible music’ of Carter’s prose every time we read her, in a dynamic exchange of trust and understanding, a reverberation through space and time, a sympathetic resonance.
Paulusma released her first album, ‘Scissors in my Pocket’ on One Little Indian to widespread international critical acclaim in 2004. Uncut declared, “Never mind all the fuss about Joss Stone and Amy Winehouse. As far as Uncut is concerned, the finest young British female singer-songwriter to emerge in the last 12 months is the brainy Cambridge graduate Polly Paulusma, with a debut album of mature and literate songs brimful of emotional resonance, potent melodies and meltingly heartfelt vocals.” Paulusma was subsequently catapulted round the world, supporting Bob Dylan, Jamie Cullum, Coldplay and Marianne Faithfull, touring the USA and Europe, and playing Glastonbury, T in the Park and Cambridge Folk Festival. ‘Fingers and Thumbs’ followed in 2007, produced by Ken Nelson, and in 2012 founded the Wild Sound folk label and released the work of nine other artists before becoming a folk imprint at One Little Indian in 2016. ‘Invisible Music’ will be Paulusma’s eighth album release.
‘Invisible Music’ will be released on Wild Sound, a folk imprint at One Little Indian Records.
Photo by Annie Dressner of Cambridge Headshot Photography.
For $5 a month, you get all the songs from the project so far, and a new song emailed to you on the first of every month until December 2020. As a Patron you also gain access to an exclusive weekly video diary, posted each Friday lunchtime, AND a monthly gig streamed live from my shed! Woah!
I send you a new song on the first of every month. I send it to you in form of a unique Bandcamp code which you can then download.
You can choose from a selection of formats, from WAV (if disk space is no issue) to MP3 (if you need something a little smaller).
‘Pivot’ is my latest and fourth album, which I’ve been releasing a song a month across two years (24 songs in all) since January 2019.
‘Pivot’ is short for ‘The Pivot Round Which The World Turns’.
These songs — which examine our daily pivoting roles as child, parent, lover, friend, grandchild, grandparent, and everything in between — are the product of the last six years and contain songs cowritten with Kathryn Williams, Tom McRae, Astrid Williamson, Danny Wilson, David Ford, Martin Carr, Laura Jessica Barnett and Mark Davies Markham.
I started in January 2019 but it’s not too late to join the club: I just catch you up.
These songs will not be made public until 2021. They are not on Youtube or Spotify or any of the streaming services.
I hope to release the album physically in 2021 on double CD and double LP, after which it will also be available on streaming services.