New Year, new album: ‘Invisible Music’

Happy New Year… the world may be going to shit, but I’m finding joy in little things. Allow me to share some.

New album: ‘Invisible Music: folk songs that influenced Angela Carter’

In April, I am releasing my eighth album, ‘Invisible Music: folk songs that influenced Angela Carter’, which is a mixture of traditional folk songs and spoken word, and which explores via proximity ways in which the novelist Angela Carter was influenced by singing traditional folk songs in the 1960s.

These songs are bizarre, grotesque, bloody, and beautiful, sometimes conventionally, and sometimes in the way a gnarled bit of wood can be.

I intersperse songs with readings (by myself, Kathryn Williams and Kirsty Logan) to show the relationship.

This album is the sonic accompaniment to my recently-completed PhD thesis of the same title, a deep-dive research project into the many ways I believe being a singer, and having the muscle memory of singing, influenced Carter’s imagination and language style.

Mailing list

Sign up to my mailing list to receive a free song ‘Jack Munro’ from the album  — and to keep up to date with all my news as the release happens.

Live shows

To mark the album’s release on Friday 23 April, I’m doing some shows, mostly online for now – but with one significant live exception at Cecil Sharp House on Thur 22 April. Here’s a list of all my forthcoming shows.

More for patrons

I’ll be doing lots more for my Patreon patrons — weekly vlogs, music premieres, early bird ticket chances and behind the scenes snippets… .

Patreon involvement starts from a very modest £4/month; on higher tiers I offer house concerts and songwriting tuition as part of membership.

Explore it if you haven’t already at patreon.com/pollypaulusma

Stay well, keep safe.

New folk album ‘Invisible Music’

Polly Paulusma will be releasing a new album in late spring 2020 entitled Invisible music – folk songs that influenced Angela Carter.

‘Invisible Music’ is an album of folk songs and spoken word recorded with help from Jack Harris (guitar), Jed Bevington (fiddle) and John Parker (upright bass) and containing readings from singer songwriter Kathryn Williams and novelist Kirsty Logan.
‘Invisible Music’ is a songwriter’s celebration of the musicality of her favourite novelist. Paulusma champions and showcases musicality in the prose of Angela Carter, one of the twentieth century’s finest novelists. She illustrates through sounded examples the recent discoveries she’s made — that Carter was a folk singer during the 1960s folk revival, and that her writing was profoundly influenced by the performing of traditional folk song. 
Some of the folk songs that influenced Carter — for example ‘Barbary Allen’, ‘Lucy Wan’, and ‘The Banks of Red Roses’ — are rendered here by Paulusma who, for six years, has been researching the effects of singing folk songs on Carter’s prose style at the University of East Anglia. Prose passages read by Paulusma, the songwriter Kathryn Williams and the novelist Kirsty Logan are interspersed between the songs, illustrating how Carter’s prose absorbed the themes, images and rhythms of folk song.
Paulusma, who teaches Cambridge English students between releasing records, explains, “I have never really seen the difference between great literature and great song. For me, reading is and always has been an audial experience. Some writers are just more musical than others.” Paulusma’s work asks us to reimagine Carter’s prose as performance, to recreate the ‘invisible music’ of Carter’s prose every time we read her, in a dynamic exchange of trust and understanding, a reverberation through space and time, a sympathetic resonance.
Paulusma released her first album, ‘Scissors in my Pocket’ on One Little Indian to widespread international critical acclaim in 2004. Uncut declared, “Never mind all the fuss about Joss Stone and Amy Winehouse. As far as Uncut is concerned, the finest young British female singer-songwriter to emerge in the last 12 months is the brainy Cambridge graduate Polly Paulusma, with a debut album of mature and literate songs brimful of emotional resonance, potent melodies and meltingly heartfelt vocals.” Paulusma was subsequently catapulted round the world, supporting Bob Dylan, Jamie Cullum, Coldplay and Marianne Faithfull, touring the USA and Europe, and playing Glastonbury, T in the Park and Cambridge Folk Festival. ‘Fingers and Thumbs’ followed in 2007, produced by Ken Nelson, and in 2012 founded the Wild Sound folk label and released the work of nine other artists before becoming a folk imprint at One Little Indian in 2016. ‘Invisible Music’ will be Paulusma’s eighth album release.
‘Invisible Music’ will be released on Wild Sound, a folk imprint at One Little Indian Records.
Photo by Annie Dressner of Cambridge Headshot Photography.

Cambridge Folk Festival: 5 Aug 2018

I have just been asked to play a set at the Cambridge Folk Festival. Last time I was there was 2012 (see photo) — now I’m working on a trad folk album it seems like the perfect place to be playing this summer. I’ll be in the Club Tent for a 20 minute set at 1.50pm on  Sunday, 5 August. For tickets and more information click here.