research

‘Angela Carter and Folk Song: “Invisible Music”, prose and the art of canorography’ (monograph)
Bloomsbury Academic (2022/3)

‘Down to the Greenwood’: Angela Carter and Traditional Folksong’, chapter in Angela Carter’s Pyrotechnics: A Union of Contraries, ed. Charlotte Crofts and Marie Mulvey-Roberts  link
Bloomsbury Academic (2022)

‘“Only a Bird in a Gilded Cage”: Avianthropes and the Embodiment of the Canorographic Voice in Angela Carter’s “The Erl-King” and Nights at the Circus’  link
Contemporary Women’s Writing, 15/1 (March 2021), pp. 33–51. https://doi.org/10.1093/cww/vpab008

‘Me and Not-Me’: Folk Songs, Narrative Perspectives, and The Gender Imaginary in Angela Carter’s Shadow Dance link
English: Journal of the English Association, 69/265 (August 2020), pp. 145–171.
https://doi.org/10.1093/english/efaa011

 

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